jinnik2004
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This is the first album of brand new music by Mark Dwane since 1998's limited edition CD 'The Neflim'. As with all of Marks releases he bases his inspiration on such esoteric subjects as possible alien life on Mars, the ever-mystical kingdom of Atlantis and other thought provoking mysteries of planet Earth and beyond.
'Planetary Mysteries' is no different and with such song titles as 'Under The Sphinx' and 'Planetary Energy', helping to engage the listener in a mystical sound environment that is both thrilling and reflective at the same time.
A first for a Mark Dwane album is that there are some female vocals by a Michelle Nader that appear on some of the tracks who happens to possess a distinct and powerful voice which adds a nice contrast to the album.
'Forbidden Archeology' opens the album in a typical scene setting fashion, Michelle Naders voice adding an atmospheric chanting overlaid with Marks underlying MIDI guitar electronics which he lets bubble under the surface before the album gets into its stride, before 'Under The Sphinx' takes the center stage. A rhythmic sequence is immediately established before an Egyptian sounding melody is played along with the more upbeat and sharp electronics.
Now 'Planetary Energy' could be described as the single of this album and showcases Michelle Nader's vocal talents to the fore. A very melodic collage of dynamic electronics combined with a song that is both catchy and memorable. This is a song that showcases Marks deft ear for a strong melodic composition that appeals very much. Following this we have 'Underwater Stargates' and judging by the cover notes a Stargate is a UFO guiding place, a bit like a beacon if you like. In some ways this track is a bit like the previous but maybe a bit more laid back but none the less still a good track.'Geoglyphs' is a mid-tempo piece of classic Dwane music, very melodic and relaxed.
Things pick up-tempo slightly with 'Hyperdimensional' and the vocals are back, to entice the listener once more. Marks use of his main instrumentation the MIDI guitar is generally well known. For those who do not know there are no keyboards used on his electronic releases at all. It is all done with MIDI guitar, and very impressive and formidable the results are. It is not all electronic though as Mark includes in his palette of sounds some electro-acoustic guitars, which gives an added presence of interest.
The last track 'Memory Alpha' brings the album to a close in a sedate relaxed way.
Space piano type sounds mix with gliding mellow electronic refrains that bring the listener down from the power of what has gone before
'Planetary Mysteries' combines the best elements of Mark Dwanes music as well as his interests in all things mysterious that involve planet Earth. These interests show themselves admirably through his music and once you hear 'Planetary Mysteries' you will feel like you have really gone somewhere.
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